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Jeff Wilbusch
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Now You See Me Movie Poster

It Has Been an Honor: Near the conclusion, the Horsemen express this sentiment to one another. Mardi Gras is Always in New Orleans: When the film changes to New Orleans for Act II, sure enough... Justified in that the theft would be scheduled for that time period to guarantee a dense throng to hide in.

This is a concept for a poster for the film Now You See Me (2013). If you haven't watched the film, I strongly advise you to do so. However, the film is about four magicians who use magic to steal the wealthy and donate their loot to the needy. My idea is to produce a poster that has the sense of a magician, complete with visual illusions that deceive the viewer. It accentuates the film's slogan, "The closer you look, the less you see." When seen closely, the poster's primary material is gone. Take a few steps back to see the remainder of the poster's content.

Louis Leterrier's 2013 film

Now You See Me is a 2013 American heist thriller film directed by Louis Leterrier. It is based on a screenplay written by Ed Solomon, Boaz Yakin, and Edward Ricourt, as well as a narrative written by Yakin and Ricourt. It is the introductory volume of the Now You See Me series. Jesse Eisenberg, Mark Ruffalo, Woody Harrelson, Isla Fisher, Dave Franco, Mlanie Laurent, Michael Caine, and Morgan Freeman star in the picture. The narrative follows an FBI agent and an Interpol investigator as they trace and seek to apprehend a group of magicians who conduct bank heists and robberies and reward their audiences with the proceeds.

Additionally, the Four Horsemen are pursued by a conceited former magician (Morgan Freeman) who has amassed a fortune by divulging the secrets of well-known tricks. Freeman has the ability to make even the most convoluted exposition seem wonderful (see: Christopher Nolan's Batman films or the latest "Oblivion"); that is, for the most part, what he is here to accomplish. Making Freeman the film's de facto on-camera narrator is the film's most deft move, particularly given how much of the third act is spent adjusting his all-knowing screen image.

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